I was a passenger in a car on
Interstate 35 just entering Austin, Texas, when I read the news on my phone. It
was Tuesday, May 17, and Texas singer, songwriter, and luthier Guy Clark had died
earlier that day. After reading the news, I looked up and the first thing I saw
was an American flag at half-staff.
I was reasonably certain that no
one whose death usually prompts lowered flags had recently died. I looked
around and in the next two minutes, spotted five other American flags. Of the
six I saw in that span, three were at half-staff. My thought was, whether it is
for Clark or not, it is fitting that
at least three American flags in Texas fly low today in honor of Texas legend
Guy Clark's passing.
Clark, born in 1941 in the west
Texas town of Monohans, is probably best known for songs like 'L.A. Freeway',
'Desperados Waiting For A Train', and 'I Don't Love You Much Do I'. He recorded
twenty albums, winning a Grammy Award in 2014 for 'My Favorite Picture Of You.'
His songs have been recorded by Johnny Cash, Rodney Crowell, Jerry Jeff Walker,
Jimmy Buffet, Vince Gill, Kenny Chesney, Roger Creager, Alan Jackson, John
Denver, and many other well-known artists.
Ricky Skaggs had a #1 hit with 'Heartbroke',
Walker and Creager had success with 'L.A. Freeway', Cash and the Highwaymen with
'Desperados…'. John Conlee had a Top Ten country hit with 'The Carpenter' – all
written by Clark.
The New York Times called him a "king
of the Texas troubadours," and described his lyrics as "…narrative-rich
songwriting."
Peter
Cooper, in a story for the Tennessean, published the day Clark died, wrote
that Clark "…garnered a reputation for uncommon poetic perception."
"I think he may be the
greatest storyteller of all, for me," said Vince Gill in Cooper's story. "He
paints the coolest pictures of all." Gill had a top 10 country hit with
Clark's 'Oklahoma Borderline'.
"It's almost like his
music was embedded in the land," said fellow Texan Sarah Jarosz, in a Chicago
Tribune story.
I didn't discover Guy Clark and
his exceptional music until the summer of 2013 when I read Texas Music by Rick Koster. From that book, I also discovered a
slew of exceptional Texas singer/songwriters, including Rodney Crowell, Joe
Ely, Townes Van Zandt, and Steve Earle – as it turns out, every one of them protégés
and/or close friends of Guy Clark.
In the 1970's, Clark and his second wife
Susanna (mentioned in 'L.A. Freeway', and who died in 2012) hosted legions of
young songwriters and pickers like Crowell and Earle in their Nashville home. In
these often marathon sessions, friendships were forged, songs were crafted, and
legends made. Guy and Susanna Clark were facilitators of a massive movement of
creativity; encouraging, fostering, and mentoring young songwriters who went on
to varying degrees of success.
Robert K. Oermann wrote liner
notes for Clark's 'Craftsman' album, noting that Clark was "The patron
saint of an entire generation of bohemian pickers."
My friend @GuyClarkKCA passed from the world this morning. Rodney pic.twitter.com/bmeSTQsbIq— Rodney Crowell (@RodneyJCrowell) May 17, 2016
While reading Koster's book, I
explored the wealth of outstanding material recorded by Clark, a man with
insights somehow different from others – that "uncommon poetic
perception", that Cooper wrote about in the Tennessean. It was things like
the entirely believable sentiment of hoping to avoid disaster on a big city
highway while escaping the bustle, that first grabbed me. Clark's 'L.A.
Freeway' struck me as an exceptionally well-told story of trying the city life
and discovering it's not for you, being homesick for Texas, and disliking a
landlord ("That son of a bitch has always bored me.") Many might
consider a box of moldy cookies insignificant, but Clark wove it into a song
line, an additional piece that helps to make the 'L.A.' story compelling,
personal, and unique.
Next, it was the moving love
story 'I Don't Love You Much, Do I', often sung in spectacular harmony with the
incredible Emmylou Harris. This song so affected me the first time I heard it, that I made it the ringtone
on my phone for my wife Tiffany. Such is the power of Guy Clark and his masterful
way with words.
As mentioned, musicians and
fans alike have been equally enthralled by Clark's music. What greater affirmation for a songwriter than to have artists of the caliber of Cash,
Denver, Walker, and so many others record your songs. Vince Gill recorded
Clark's 'Oklahoma Borderline', and he was moved to tears when he heard 'Randall
Knife' the first time.
“I started weeping, bawling all
over my guitar,” Gill told Country Weekly magazine in 2011, as reported in the
Cooper/Tennessean story.
Guy Clark's words are indeed
poetry, not just words set to music. He told Sandmel, according to Cooper, that
his old friend Townes Van Zandt "…never rhymes moon-June-spoon to make a
buck. It’s more of a literary approach," perhaps not realizing he was also
speaking of his own writing style.
John Spong, writing in Texas
Monthly about Clark's lyrics: "Guy’s were stark and grounded, like he’d
found them in the back of a roughneck's pickup in the Monahan's oil field. But
all of it was poetry."
Throughout Clark's long career,
he was, as CNN's Don
Melvin and Brandon Griggs wrote, "…one of the most respected
singer-songwriters of his generation," and "revered by the Nashville
music community for his song craft and generosity of spirit."
On the day Clark died, Rodney
Crowell, his friend for 45 some years, changed his Facebook and Twitter profile
pictures to one of him kissing Clark on the cheek. "My friend Guy Clark
passed from the world this morning," wrote Crowell.
Lyle Lovett, fellow Texas
musician, wrote on the same day on Twitter and Facebook: "Guy Clark was my
friend. The world is a better place because he lived. I pray for comfort for
all who loved him."
Roseanne Cash, daughter of
Johnny Cash, former wife of Rodney Crowell, and another recipient of Clark's
mentoring of young songwriters, wrote on
Twitter:
"Travel safe, old friend.
I would not be the songwriter I am if I hadn't sat at your table and learned
from a master."
As mentioned by Vince Gill, in
Clark's songs, "He paints the coolest pictures of all," leaving no
doubt that Guy Clark was a master musical artist.
Peter Cooper, in his Tennessean
story, quoting Clark as told to Sandmel:
"... I'll bet that when
you're dying, you're not going to think about the money you made. You're going
to think about your art."
"In
the end, then," wrote Cooper, "Mr. Clark had something fine and
gleaming on which to dwell."
"I wished I was in
Austin," sang Clark in 'Dublin Blues'. I was in Austin the day he died, on a rainy Texas day watching
lowered flags flying, paying tribute to a legendary artist.
Although
he is now gone, fortunate are we who can still dwell on the "fine and
gleaming" art of the late Guy Clark, Texas troubadour.
Larry Manch is an author, teacher, guitar player, freelance writer, and columnist. His books include: 'Twisted Logic: 50 Edgy Flash Fiction Stories', 'The Toughest Hundred Dollars & Other Rock & Roll Stories', 'A Sports Junkie', 'The Avery Appointment', 'Between the Fuzzy Parts', 'Beyond the Fuzzy Parts,' 'Jonathan Stephens Is Just A Kid', 'Jonathan Stephens Is Moving', 'Suspended Logic', 'Descended From Royalty,' 'Covering the Astros,' 'Food Adventures,''The Set List,’ 'The Racing Line: Green Flag,’ and ‘The Racing Line: Checkered Flag.’ His books are available in paperback (some in e-book.)
He writes about sports for Season Tickets, food and travel on Miles & Meals, and music/guitars on The Backbeat.
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